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Maman is the French word for Mother. Bourgeois stated that the work was symbolic of her mother, a weaver and tapestry restorer. With twenty eggs in its abdomen, the sculpture embodies ideas of maternal protection. However, the artist’s relationship with motherhood was ambiguous, contradictory, and complex. Dominating its surroundings and teetering on rangy, segmented legs, Maman also evokes fear and suggests entrapment.

In this picture, Maman is surrounded by fog which was released every night improving the region’s ambience. I took a long exposure shot to give it a much more artistic effect and to help disappear any surrounding people that may make the picture less artsy.

The post Maman by Louise Bourgeois first appeared on Photography by Nasar.